chromatographics

gay poems by mb bischoff

eigengrau

the only way to ignore the sunrise is to close our eyes at daybreak

white light pours through delicate curtain lace— an unseen ocean roiling

more to see and to say as blue waves beckon, calling toward tomorrow

but no matter what we try, there’s no true darkness. light seeps in everywhere

the shade we find there feels almost ultraviolet; we see it together, apart

in separate beds, rooms on opposed coasts, we conjure the same cosmos

this color could be our own. when other lovers see it too, do they know we bathe in it?

108ºC

sunny side up eggs cook with sunshine denaturation begs, bonds across time

waveformed Q train park date prospects PascalCase names everywhere object

polycarbonate layers exposed gold livewire angel of gay prayers film stock, unexpired

bumblebee chapstick seeing in rainbows jet turbine fuel drips one port won’t close

nude

back then, i saw your body just on screens — pinpricks of light transferred across the line. soft curves and folds, i felt you in my dreams; those pictures, now, are burned into my mind.

and then i touched your silken skin at last, traced these lines with red ink until they dripped, gripped thighs while kissing slow, then hard & fast, embraced to warm the places we had stripped.

but now i’m separated from your touch, yearning for the ways we fit, like jigsaw pieces you never need to force too much. despite it all : i’m here. i won’t withdraw.

you’re nude before my eyes, no matter where. i’ll drink you up and leave them none to spare.

a⸺part

thin string between us stretching miles connecting our chests

tension we can sense tugging twine winding over land

we set it aside knotted tight when we’re together

the rope uniting us untying now because we’re home

we don’t need help to touch when we’re here

ftl

random chance meeting sweater that shimmers parties are fleeting your glances glimmer

post selfies in slack our dms vanish a coffee date ask making a plan-ish?

calls about lost work texts about gender watching your lil’ smirk my heart grows tender

shopping for red skirts sharing a small lunch enjoying my quirks i’m having a hunch…

flirting a little to see if it sticks too noncommittal? or does it just click

late night at a show we let our legs brush at the bar i chose you admit your crush

a ride to your place the tension growing sharing a small space finally knowing

nervously waiting for you to arrive fuck, now we’re dating. we instantly vibe

t4t

i read that things used to be different for us. that we used to hide behind heavy coats, from ourselves. i read that we’d get compared to cigarettes on the street in broad daylight just for walking the wrong way. things are different for us now. not because we are the majority, but because we are not, and we know that. our difference is our value.

things changed because seasons did. the old trees that once ruled the forest have fallen, been subsumed into the soil. things changed because our elders fought for us and their enemies dwindled. life is no less complicated here and now. it may be more so. but that complexity, that intricacy, that is part of what makes this worth it.

i went on a date yesterday. they had two faces and three names. his lips felt like safety and possibility and becoming. we didn’t need to connect our brains with wires to see. we spoke the same language, we knew the same songs. our bodies united like an antique lock and key, lubricated with the oil of our passion. i want more. no, i need it.

all my friends are trans. i broke up with the ones who weren’t.
they understood.

change is good. the people that don’t get that will never get us. not all change is for the better, but the potential for growth and for flourishing is all we have. the possibility that tomorrow will be a new day with new rules. and that we’ll be here for each other when it arrives. that we’ll nurture the seeds and each other. that we can.

just use mine

he’s wanted one, i think, a while still growing his, it takes its time i wonder: why not just use mine?

our parts are modular by design they’re aftermarket optimized hot-swappable and still divine

then i’m above and he’s below press into him, extend a loan tell him: touch, like it’s your own

he strokes it like a precious gift he must be worried, he’ll miss it the gratitude vibrates his wrist

he shakes as need remaps the mind and both our systems intertwine we once mistake his flesh for mine

i ask him softly if it was good he nods like i rewound the world we had made what no one could

poke

door opens— am i the fool? gloves snap, now i’m playing my role unstained steel tray cradles your tools you wash me clean, i cede control

you sketch small leaves in purple ink i play with you, this is our game when it’s all done, what will they think? art, artist, work— all share a name

calmly you ask “ready for stabs?” there’s not a way for me to know is this your temple or your lab? we share one breath, it’s time to go

your sword and your eyes penetrate music and pain blanket my brain sometimes we should disregulate questions pour out, blood from a vein

hours pass as you make passes pricks turn into private pleasure when we are through, our flesh collapses every mark is made forever

birdcage

you ask me if i’m okay ⸻ with elevators? which strikes me odd, the way your eyes do

we board & take flight to the control room, 42 teacups on brass hooks carefully cluttered views

press my buttons, down with the same force you use to operate machines. the right pressure matters

the doors close around your fingers, lights flicker surging harnessed power i can’t look away, i won’t

we fall together back to earth where we stumble into your unmarked van. click of clear recognition

the next time i step into your cage you kiss my eyes closed and pull a lever           that                   stops                              time

we’re suspended⸺ trapped in moments of wrought iron pressed against their grates and each other’s full frames

             for as long              as we are,              we get to              be happy

stick

winter cherry, lush pressed to the pane : clear swirling glass, vessels for grapes

red print attracts gazes from gays strange artifacts mouths go astray

first contact lasts longer than stains washed away fast — much like our brains

they always say lips that disguise can’t be the way, but never the why

shouldn’t we just paint what we feel even if lips must become the meal

“in your
ideal world,
what does
the future
of gender
look like”

gender abolition pronoun coronation human elocution border dissolution

frequent faggotry gorgeous gayety

sacred impiety campy pageantry

constant questioning mutual strengthening

boundary trespassing differents welcoming

bioavailable

there’s always a question when i come into contact with the substance of you.

how much of you can i absorb? when you enter my bloodstream, swim my veins where they lead.

the longer your half-life, the more i’ll feel you there, coursing through my core.

the closer your shape gets to nature, the better i can fully take you in.

drink you or swallow you or let you dissolve under my tongue every day as

you transform me with area under your curves. when is my next dose?

atlantic
  pacific

i often wake three hours before your sunrise calls for a response logbook already soaked with ink we laugh, but even if we could, why constrain our outporings?

one winter day you ask for notes on undersea strings aware of both the timbre and tempo of these songs we start signing together

i fall into an evening rhythm talking and yes moaning into the phonograph, my head then swallowed by the brassy cone our voices sound better inside

when you open your ears again there’s so much weather to hear : wind and rain and quiet calm that lasts too long and means too much we keep sailing even without a map

true, land divides us more than sea, but these two coasts call to us both maybe it’s the sirens or the sounds of wavecrash against the shore — the dangers of unfathomed depths

accident(ily)

one fifty-four is not the hour to send texts, no autocorrect

risky confessions clipped affections dimmed i love you’s from neon rooms

could be a typo should i just lol or say her name, reply the same?

an oops can’t erase the thrumming bass as juniper slips from her bruised lips

tripping on her tongue fuck. uhh. drunk. umm. not that not yet

or at least — not like this